By Mette Hjort,Scott Mackenzie
In the 1st 3 components, participants discover sociological ways to nationalism, problem the proven definitions of 'national cinema', and examine the ways that states - from the previous Soviet Union to modern Scotland - target to create a countrywide tradition via cinema. the ultimate components handle the various recommendations fascinated by the construction of nationwide cinema and look at how pictures of the country are used and understood via audiences either at domestic and abroad.
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Cinema and Nation by Mette Hjort,Scott Mackenzie